Dead Serious birthed three singles, 'Mic Checka', 'Straight Out the Sewer' and the biggest hit of the three, 'They Want EFX.' Dead Serious as an album peaked at number 16 on the Billboard 200.
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- To celebrate the 25th anniversary of Das EFX's classic debut 'Dead Serious', our friend Chris Read has created yet another exclusive mix of album tracks, alternate versions, and original sample materi.
- Dead Serious, an Album by Das EFX. Released 7 April 1992 on EastWest America (catalog no. 91827-2; CD). Genres: East Coast Hip Hop, Boom Bap, Hardcore Hip Hop. Featured peformers: Krazy Drayz (writer), Skoob (writer), Bob Defrin (art direction), Larry Freemantle (design), EPMD (executive producer), Robert Manella (photography), DJ Rhythm (akatext scratches roleid 1110.akatext).
- Das EFX - part of EPMD's Def Squad crew, which also included K-Solo and Redman, among others - made such a wide breakthrough in 1992 with their debut album that their hit 'They Want EFX' was even referenced in the lily-white teen serial Beverly Hills 90210.
- Das EFX caught the attention of EPMD at a local talent show where, despite losing the competition, they did well enough to convince EPMD to sign them to a recording contract. The duo gained critical and commercial fame with the release of their landmark debut album Dead Serious, 2 which highlighted their unusual rapping style (which they.
Dead Serious | |||
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Studio album by | |||
Released | April 7, 1992 | ||
Recorded | 1991-1992 | ||
Studio | Firehouse Studios (Brooklyn, New York) North Shore Soundworks (Long Island, New York) | ||
Genre | Hip hop | ||
Length | 38:43 | ||
Label | East West | ||
Producer | EPMD(exec.), Solid Scheme, Das EFX, Dexx | ||
Das EFX chronology | |||
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Singles from Dead Serious | |||
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Dead Serious is the debut studio album of American hip hop duo Das EFX, released April 7, 1992, on compact disc and audio cassette on East West Records and distributed through Atlantic Records. Recording sessions for the album took place at Firehouse Studios in Brooklyn, New York and at Charlie Marotta's North Shore Soundworks studio in Long Island, New York.
The album was a certified hit, peaking at 16 on the U.S. Billboard 200 chart, topping the Top R&B/Hip-Hop Albums chart for five weeks and reaching platinum sales by 1993. Well-received upon its release, Dead Serious has since been regarded by music writers as a significant and influential album in hip hop.
Background[edit]
Group member William 'Skoob' Hines was raised in the neighborhood of Crown Heights, Brooklyn.[1] Andre 'Krazy Drayz' Weston, born in Jamaica, came to the United States as a child, growing up in Union City and Teaneck, New Jersey.[1] Both rapped during their high school years, Hines with the group's future producer Derek Lynch's brother Tony.[1] However, Lynch was Hines' DJ first and wouldn't begin producing until later.[1] Hines and Weston began performing together after they met at Virginia State University in 1988.[2] Hines and Weston met their freshman year on a road trip to another college through a mutual friend.[3] According to Weston, the two became a duo after winning a campus contest which Hines suggested they enter together.[3] Hines and Weston began to work with Brooklyn-based producers Chris Charity and Derek Lynch, both friends of Hines' from high school, who'd formed a production team using the name Solid Scheme Music at the time.[3] According to Hines, aside from 'Klap Ya Handz' and 'They Want EFX,' which was produced by Weston and he, all of the other instrumental tracks on the album were produced by Charity and Lynch.[4] Around this time the group came up with its name which Weston noted was mostly Hines' idea. The name stemmed from an acronym of the two's nicknames, Skoob and Dray, and EFX from their constantly wanting their producers to add reverb to their vocals when in the studio. 'So it was Sad EFX for a minute, but that didn't really make much sense, so we changed it to Das EFX.'[4]
Hines recalled much of the group's early material as being 'primitive,' stating that 'the production on our early stuff didn't come up to par until 'Klap Ya Handz.'[4] A producer named Dexx, also from Crown Heights, produced 'Klap Ya Handz' for the group.[4] In early 1991, Hines and Weston heard that EPMD would be hosting a talent show at Club Tropicana in Richmond, Virginia and decided to enter.[4] Hines and Weston performed their song 'Klap Ya Handz,' which they'd recorded as a demo with Dexx (In fact, for the album, Hines and Weston had to rhyme over the demo for 'Klap Ya Handz' because they didn't have an instrumental version of the music.).[5] The group apparently had the highest score in the contest, which would earn the winner a $100 prize.[5] However, according to Weston, although the duo had the highest score Parrish Smith, one half of the group EPMD, told the club announcer to give the second best group the prize.[5] While the winning group went up to claim their prize, Smith came to Hines and Weston and said, 'yo, what would you guys rather have: a record deal or a hundred dollars? Meet me in the back of the club in five minutes.'[5] Smith and Erick Sermon, the other member of EPMD, met with Hines and Weston in the back of the club and asked the two to play them the 'Klap Ya Handz' track again.[5] Sermon and Smith were so impressed by the song that they asked Hines and Weston for the tape, with Smith telling them, 'if you can get us nine more songs like the one you just performed, we can get you a deal.'[5] Hines and Weston kept in touch with EPMD during their junior year in college, finishing out the school year in May.[5]
In 1991, the group was signed to EPMD's GMC Productions production and management company and became a part of their Hit Squad collective of protégés.[2][6] The material for their first album was recorded at Firehouse Studios in Brooklyn and EPMD's production home base, Charlie Marotta's North Shore Soundworks studio in Long Island.[6] The duo would send EPMD, who were touring the country at the time, the material they were recording for guidance.[2] The group, who were also courted by Jive Records at the time, were finally signed in late 1991 to the Atlantic Records subsidiary East West Records.[6]
Music[edit]
Due to being removed from an active music scene, the two MC's were free to develop their most idiosyncratic tendencies musically.[2] According to Weston, the group's lyrical style stemmed from the two not being able to listen to New York hip hop on the radio in Virginia. Weston stated that 'except for Brand Nubian, we weren't influenced by what was going on in New York. Basically we wanted to be different and we wanted to be dope like Brand Nubian. So instead of saying, 'I got a lot of balls,' we'd say, 'I got more nuts than a Baby Ruth.'[3] Hines also felt being away from the environment helped their personal artistic growth. 'We just wasn't exposed to that many styles at the time, so it helped us form our own.'[3] Hines and Weston would make up gibberish words, adding -iggity after many of them, which would eventually become their signature.[2] The group also had a tendency to weave many pop culture references into their rhymes.[2]
Though many have assumed that EPMD produced the music on the album because of their executive production credit, Weston stated 'in the studio back then it was just me, Skoob, Chris, and Derek, and that was it. EPMD didn't produce us, we were just with their production company. A lot of people forget that.'[6] Weston referred to Charity, who died in the year 2000, as 'the brains of the operation, definitely. He was definitely the boss and the real executive producer of the first album. We'd have meetings at his crib in Brooklyn and he was running things.'[6]
Reception and influence[edit]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Robert Christgau | [8] |
RapReviews | (9/10)[9] |
The Source | [10] |
Spin | (favorable)[11] |
Trouser Press | (favorable)[12] |
Adobe zii 3.0.4 cc 2018 universal patcher for mac 2. Dead Serious caused an immediate sensation upon its release in March 1992.[2] The album went platinum on the strength of the singles 'Mic Checka' and the Top 40 pop hit 'They Want EFX', by 1993.[2][13] Giving it a 4 out of 5-mic rating, The Source's Matty C compared the duo's lyrical style to that of Busta Rhymes, Treach, and EPMD, writing 'Not only have they innovated a new rhyme flow that expands on all these styles, but they have brought back fun filled hip-hop'.[10] Ronin Ro of Spin complimented their 'hard lyrics that simultaneously perplex, captivate, annoy, and amuse. television-induced, schizophrenic, lyrical wit'.[11] In his consumer guide for The Village Voice, critic Robert Christgau gave the album an honorable mention () rating,[8] indicating 'a worthy effort consumers attuned to its overriding aesthetic or individual vision may well like'.[14]
In a retrospective review, RapReviews writer Steve Juon described the album as 'ten tracks jam-packed with dopeness' and commended Das EFX for 'merging pop culture and punchlines, beat poet skat and hip-hop style, and creating a free form lyrical jazz in the process'.[9] Ira Robbins of Trouser Press called it 'a monstrously entertaining debut' and wrote that they 'don't push the topical envelope any — geography, rhyming and sexing are pretty much the alpha-omega of their menu. Fortunately, the pair's rereading of old news yields fresh and funny angles'.[12]AllMusic's Stanton Swihart gave the album 5 out of 5 stars and noted the duo's 'lightning-fast, tongue-twisted word association and stream-of-consciousness rants rich in pop cultural references and allusions'.[7] Stewart elaborated on its initial appeal and subsequent influence in hip hop, stating: Midiquest xl 10.0.5 serial number.
[T]he album wasn't just appealing; it was also enormously influential, ushering in an entirely unique rhyming flow that influenced any number of rappers, established and novice alike. their lyrics are about as far removed from hardcore realism as they could possibly be, and although there are certain elements of boasting, it is so cut up and contorted that it never sounds like there's even a hint of the humdrum here. It was a completely original rhyming style in 1992 — one of the reasons it had such an impact both in the insular world of hip-hop and on the wider public — but it also had an invigorating looseness that lent itself to commercial radio.[7]
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Speaking on the duo's impact, Hines stated that he felt 'what we were doing brought a twist to the game without watering anything down. If you were only hearing our radio stuff, you had one impression of us, but if you got the album then you realized there was a lot more depth there'.[13]
Track listing[edit]
All tracks produced by Solid Scheme, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | 'Mic Checka' | 4:54 | |
2. | 'Jussummen' | 3:29 | |
3. | 'They Want EFX' (Produced by Das EFX) | Charles Bobbit, James Brown, Das EFX, Fred Wesley, Andre Weston | 3:39 |
4. | 'Looseys' | 2:50 | |
5. | 'Dum Dums' | 3:50 | |
6. | 'East Coast' | 4:29 | |
7. | 'If Only' | 4:02 | |
8. | 'Brooklyn to T-Neck' | 4:01 | |
9. | 'Klap Ya Handz' (Produced by Dexx) | 4:07 | |
10. | 'Straight Out the Sewer' | 3:22 |
Personnel[edit]
Information taken from Allmusic and album booklet liner notes.[15][16]
- Art Director: Bob Defrin
- Design: Larry Freemantle
- Engineering: Charlie Marotta, Bobby Sarsur, Yorum Vazan
- Executive Producers: EPMD
- Guitar: Bobby Sichran
- Mixing: Charlie Marotta, Bobby Sarsur
- Photography: Robert Manella
- Production: Chris Charity, William Hines, Derek Lynch, Andre Weston, Dexter Porter
- Scratching: DJ Rhythm
Chart history[edit]
Album[edit]
Chart (1992)[17] | Peak position |
---|---|
U.S. Billboard 200 | 16 |
U.S. BillboardR&B Albums | 1 |
Singles[edit]
Year | Single | Peak chart positions[18] | |||||
---|---|---|---|---|---|---|---|
U.S. Billboard Hot 100 | U.S. Dance Music/Club Play Singles | U.S. Hot Dance Music/Maxi-Singles Sales | U.S. Hot R&B/Hip-Hop Singles & Tracks | U.S. Hot Rap Singles | |||
1992 | 'They Want EFX' | 25 | 29 | 1 | 5 | 1 | |
'Mic Checka' | -- | -- | 10 | 22 | 1 | ||
'Straight Out the Sewer' | -- | -- | 35 | 66 | 3 | ||
'—' denotes a release that did not chart. |
See also[edit]
References[edit]
- ^ abcdColeman (2007), p. 133.
- ^ abcdefghHuey, Steve. 'allmusic ((( Das EFX - Biography )))'. Allmusic. Retrieved 2010-04-14.
- ^ abcdeColeman (2007), p. 134.
- ^ abcdeColeman (2007, p. 135.
- ^ abcdefgColeman (2007), p. 136
- ^ abcdeColeman (2007), p. 137.
- ^ abc'allmusic ((( Dead Serious > Review )))'. Allmusic. Retrieved 2010-04-10.
- ^ abChristgau, Robert. 'Consumer Guide: Dead Serious'. The Village Voice: July 28, 1992. Archived from the original on 2010-07-17.
- ^ abJuon, Steve 'Flash' (2008-02-19). 'Das EFX :: Dead Serious :: EastWest Records'. RapReviews.com. Retrieved 2010-04-11.
- ^ abC, Matty (May 1992). 'Classic Reviews : Dead Serious in The Source (1992) << Press Rewind If I Haven't.' Press Rewind If I Haven't. Archived from the original on 2010-07-16. Retrieved 2010-04-11.
- ^ abRo, Ronin. 'Review: Dead Serious. Spin: 75–76. June 1992.
- ^ abRobbins, Ira. Review: Dead Serious. Trouser Press. Retrieved on 2010-07-17.
- ^ abColeman (2007), p. 138.
- ^Christgau, Robert. CG 90s: Key to Icons. Robert Christgau. Retrieved on 2009-07-17.
- ^'allmusic ((( Dead Serious > Credits )))'. Allmusic. Retrieved 2010-04-10.
- ^Credits as per liner notes for Dead Serious album
- ^'allmusic ((( Dead Serious > Charts & Awards > Billboard Albums )))'. Allmusic. Retrieved 2010-04-12.
- ^'allmusic ((( Dead Serious > Charts & Awards > Billboard Singles )))'. Allmusic. Retrieved 2010-04-12.
Bibliography[edit]
- Brian Coleman (2007). Check the Technique: Liner Notes for Hip-Hop Junkies. Villard Books. ISBN978-0-8129-7775-2.
External links[edit]
- Dead Serious at AllMusic
- Dead Serious at Discogs
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Dead_Serious_(album)&oldid=964093811'
(Redirected from Daz EFX)
Das EFX in 1997 | |
Background information | |
---|---|
Origin | Brooklyn, New York, United States |
Genres | East Coast hip hop, hardcore hip hop |
Years active | 1991–present[1] |
Labels | East West Records/Atlantic Records |
Associated acts | Solid Scheme, EPMD, DJ Premier, Hit Squad |
Website | 'Krazy Drayz'. Facebook.com. |
Members | Dray Skoob |
![Das Das](https://vinylbay777.com/wp-content/uploads/2017/04/Das-EFX-Dead-Serious-Used-Cassette-1.jpg)
Das EFX is an Americanhip hop duo.[2] It consists of emceesDray (also known as Krazy Drayz, born Andre Weston, September 9, 1970) and Skoob (also known as Books, born William 'Willie' Hines, November 27, 1970).[2] They named themselves 'DAS' standing for 'Dray and Skoob' and 'EFX' meaning 'effects'. They rose to popularity in the early 1990s due to the duo's stream of consciousness lyrical delivery, which became one of the most influential lyrical styles in hip hop music at the time;[1] as well as their affiliation with EPMD's Hit Squad. Their style combined intricate rhymes, sometimes mixed with made up words (especially ending with '-iggedy'), delivered with a fast-paced flow and numerous pop culture and hip hop culture references.[2]
History[edit]
Skoob hails from Brooklyn, New York City while Dray hails from Teaneck, New Jersey, but the two met at Virginia State University in 1988 and began performing together.[2] Das EFX caught the attention of EPMD at a local talent show where, despite losing the competition, they did well enough to convince EPMD to sign them to a recording contract.[2] The duo gained critical and commercial fame with the release of their landmark debut album Dead Serious,[2] which highlighted their unusual rapping style (which they nicknamed 'sewage').
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Dead Serious went platinum and its lead single, 'They Want EFX,' (which contains samples from James Brown's 'Blind Man Can See It' and Malcolm McLaren's 'Buffalo Gals') reached the top ten on the U.S.BillboardR&Bchart, the Top 40 on the Billboard Hot 100 and No. 1 on the Hot Rap Tracks chart. Follow-up singles 'Mic Checka' and 'Straight Out the Sewer' did not chart on the Hot 100, but reached No. 1 and No. 3 on the Hot Rap Tracks chart, respectively.
The duo also made a guest appearance on the remix of Ice Cube's smash hit single 'Check Yo Self'. The song reached No. 20 on the Hot 100 and No. 1 on the Rap Tracks chart. The track peaked at #36 on the UK Singles Chart in August 1993 and sold over one million copies in the U.S.[3]
Hindi film mohra mp4 video song download video. As their career progressed, Das EFX's once-distinctive and unique lyrical delivery was imitated by several other artists and became more commonplace.[2] Derailed by the popularity of their own style, the duo slowed down their fast-paced flow, eliminated the iggedysuffix and downplayed their cartoonish content on their second album, Straight Up Sewaside.[2]
Around the time of their third album Hold It Down (which was far less commercially successful than their debut release), Das EFX found themselves caught in the middle of EPMD's ugly breakup. They ended up siding with PMD (Parrish Smith), and it led to a three-year absence from recording. They returned in 1998 with the album Generation EFX[2] and followed up in 2003 with the album How We Do; both were panned by critics.[citation needed]
After a hiatus, the group went on an international tour with DJ Rondevu in 2006. In 2007, the duo appeared on the remix of Nas' 'Where are They Now' and continued to tour the globe on a regular basis. They toured again in 2010, and continue to record and perform today to a smaller, yet devoted cult following.
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Influence[edit]
From the time of their debut in 1992 to 1993, several elements of their style were adopted by other hip-hop artists, including Lords of the Underground, Fu-Schnickens, Kris Kross, Common and even, to a lesser extent, Public Enemy. The 1996 BLACKstreet song 'No Diggity', with 'diggity' meaning 'doubt', bears a title phonetically identical to the track 'No Diggedy' on DAS EFX's 1995 release Hold It Down.[2] This also became a popular catchphrase at the time. Jay-Z's early style is described by Vibe as 'a distinctly Das EFX-type, stiggety style' on his 12' single 'Can't Get With That',[4] although Jay-Z actually predated Das EFX with this style on the song 'The Originator', alongside old school rapper Jaz-O in 1989.[citation needed] Some hip-hop pundits[who?] maintain that Das EFX exploited the tongue twisting style as a gimmick, and that they are erroneously credited with originating a style that was established years before their debut.[citation needed]
Their refrain of 'Chiggedy-check yo self before you wriggedy-wreck yo self' from their feature on Ice Cube's hit single 'Check Yo Self' became a catchphrase in 1993. The song appeared in the videogameGrand Theft Auto: San Andreas, playing on the radio station Radio Los Santos.[citation needed]
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In an episode of Beverly Hills, 90210, David Silver (played by Brian Austin Green) can be seen reciting the lyrics to 'They Want EFX.'[citation needed] File and mp3 tag renamer 2.2 keygen.
Chappelle's Show[edit]
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Comedian Dave Chappelle has made numerous references to DAS EFX's unique style and lyrics in sketches of his popular Chappelle's Show. In one sketch, a teenage Chappelle tells his girlfriend 'I riggity-realize that I liggity-love you.' In another, Chappelle as President Bush announced that a country named 'Riggity-Row' will join the Coalition of the willing. In yet another sketch, Chappelle as a news presenter announces the opening lyrics of 'They Want EFX' as a special report.
Discography[edit]
- Dead Serious (1992)
- Straight Up Sewaside (1993)
- Hold It Down (1995)
- Generation EFX (1998)
- How We Do (2003)
- Old School Throwback (2015)
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References[edit]
- ^ ab'Das EFX | Biography & History'. AllMusic. Retrieved December 4, 2019.
- ^ abcdefghijColin Larkin, ed. (2000). The Virgin Encyclopedia of Nineties Music (First ed.). Virgin Books. p. 113. ISBN0-7535-0427-8.
- ^Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 141. ISBN1-904994-10-5.
- ^Vibe, January 2004, Vol. 12, No. 1, published by Vibe Media Group, p. 75.
- ^'Album Review: Krazy Drayz – 'Showtime''. Hip-hopvibe.com. November 26, 2012.
- ^'Krazy Drayz (of Das EFX) Interview (March 2013) | DubCNN.com // West Coast Hip-Hop : Daily For Over A Decade'. Dubcnn.com.
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External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Das_EFX&oldid=976599584'